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ONE:In the department of novel writing, no age had yet produced such a constellation as Fielding, Richardson, Sterne, and Smollett. Their works[147] are still read with admiration by all who have a relish for vivid and masterly delineations of life; their only drawback being, that they are all more or less stained with the grossness and licentiousness of the age. From these faults Samuel Richardson (b. 1689; d. 1761) is most free, and in his "Sir Charles Grandison" he hasshown himself ahead of his age in the wisdom and liberality of his ideas. He discountenanced duelling, and taught the soundest principles of honour and morality. The photographic minuteness of his style prevents the general reading of his works in the present day of abundant new literature. The principal novels of Henry Fielding (b. 1707; d. 1754), "Joseph Andrews," "Tom Jones," and "Amelia," abound in wit, vigour, and knowledge of human nature. He wrote also some plays, and edited several periodicals. His sister, Sarah, also wrote "David Simple," a novel, and translated Xenophon's "Memoirs of Socrates." Tobias Smollett (b. 1721; d. 1771) paints life in strong, bold, but somewhat coarse lines, full of vigour, but with even more grossness than Fielding uses. "Peregrine Pickle," "Count Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot Greaves," if not now generally read, have been carefully studied and made use of by some of our modern novelists. Smollett, besides, wrote plays, satires, poems, and edited "The Briton," a weekly newspaper. Laurence Sterne (b. 1713; d. 1768) struck out a style of writing peculiar to himself, and which still defies all successful imitation. Notwithstanding attempts to represent his pathos as grimace, and his humour as tinsel, the felicity of touch in "Tristram Shandy," and the flashes of wit and feeling in his "Sentimental Journey," will, in spite of detractors, and of the occasional indecency of the author, always send readers to Sterne.The ultimate stage of perfection is, of course, the identification of subject and object, the ascent from the Nous to the One. But, on this point, Plotinus never added anything essential to what has already been quoted from the analytical portion of his enquiry, and the essay containing that passage is accordingly placed last in Porphyry��s arrangement of his works. TWO:

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ONE:222��There isn��t anybody!�� Larry��s eyes became used to the duller light that filtered through the thick dust on the roof skylight. TWO:

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ONE:Perhaps no subject has gained so much from the application of the new historical method as that which we have now to study in its connexion with the progress of Greek philosophy. This is the religion of the Roman empire. On199 former occasions, we have had to observe how fruitful was the interaction between faith and reason in the early stages of Greek thought. We have now to show how the same process was continued on a greater scale during its later development and diffusion. The conditions and results of this conflict have sometimes been gravely misconceived. We have said that in more than one direction important advances were made under the empire. In the direction of pure rationalism, however, there was no advance at all, but, on the contrary, a continual loss of the ground formerly won. The polytheism which Christianity displaced turns out to have been far more vigorous and fertile than was once supposed, and in particular to have been supported by a much stronger body not only of popular sentiment, but, what at first seems very surprising, of educated conviction. We were formerly taught to believe that the faith of Homer and Aeschylus, of Pythagoras and Pheidias, was in the last stage of decrepitude when its destined successor appeared, that it had long been abandoned by the philosophers, and was giving place in the minds of the vulgar to more exciting forms of superstition newly imported from the East. The undue preponderance given to purely literary sources of information is largely responsible for an opinion which now appears to have been mistaken. Among the great Roman writers, Lucretius proclaims himself a mortal enemy to religion; Ennius and Horace are disbelievers in providence; the attitude of Juvenal towards the gods and towards a future life is at least ambiguous, and that of Tacitus undecided; Cicero attacks the current superstitions with a vigour which has diverted attention from the essentially religious character of his convictions; Lucian, by far the most popular Greek writer of the empire, is notorious for his hostility to every form of theology. Among less known authors, the elder Pliny passionately denounces the belief in a divine guidance of life and in the immortality of the soul.306200 Taken alone, these instances would tend to prove that sceptical ideas were very widely diffused through Roman society, both before and after the establishment of the empire. Side by side, however, with the authorities just cited there are others breathing a very different spirit; and what we have especially to notice is that with the progress of time the latter party are continually gaining in weight and numbers. And this, as we shall now proceed to show, is precisely what might have been expected from the altered circumstances which ensued when the civilised world was subjected to a single city, and that city herself to a single chief. TWO:Slackening speed, the seaplane raced along until, with a hand clinging to a brace and his body leaning far over the dancing waves, its passenger on the wing scooped up the life preserver.

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ONE:Another grievance was the Ellton baby. Felipa adored it, and for no reason that he could formulate, he did not wish her to. He wanted a child of his own. Altogether he was not so easy to get on with as he had been. She did not see why. Being altogether sweet-humored and cheerful herself, she looked[Pg 182] for sweet humor and cheerfulness in him, and was more and more often disappointed. Not that he was ever once guilty of even a quick burst of ill temper. It would have been a relief.Meanwhile the strength of the analytical method was doubled by its extension to the phenomena of growth and change; for, as applied to these, it became the famous theory of Development or Evolution. No idea belongs so completely to modern philosophy; for even the ancient thinkers who threw their cosmology into a historical form had never attempted to explain the present by the past. If anything, they explained the past by the present, assuming a rough analogy to exist between the formation of the universe as a whole and the genesis of those natural or artificial bodies which were continually growing or being built up before their eyes. Their cosmology was, in fact, nothing but the old mythology stripped of its personal or conscious element; and, like it, was a hypothesis unsupported by any external evidence;��a criticism not inconsistent with the admission that to eliminate the supernatural element from speculation was, even in the absence of any solid addition to human knowledge, an achievement of inestimable value. The evolutionary method is also an elimination of the supernatural, but it is a great deal more. By tracing the history of compound structures to their first origin, and noting the successive increments to which their gradual growth is due, it reveals, as no statical analysis ever could, the actual order of synthesis, and the meaning of the separate constituents by whose joint action their movements are determined; while, conversely, their dissolution supplies us with a number of ready-made experiments in which the influence of each particular factor in the sum total may be detected by watching the changes that ensue on its removal. In a word, the method of evolution is the atomistic method, extended from matter to motion, and viewed under the form of succession instead of under the form of co-existence. TWO:

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